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Alt.review: Dune: Prophecy (HBO USA, Sky Atlantic UK)

Alt.review: Dune: Prophecy (HBO USA, Sky Atlantic UK)

Alt.review: Dune: Prophecy (HBO USA, Sky Atlantic UK)

Dune: Prophecy on Sky Atlantic embraces the monumental task of adapting Frank Herbert’s legendary science fiction epic for television. Following Denis Villeneuve’s cinematic masterpiece and David Lynch’s divisive 1984 adaptation, this series seeks to carve out its own niche. But does it succeed, or is it just another mirage in the desert of Dune retellings?

The Format: Deep Dive or Dragging Pace?

Television offers Dune: Prophecy a distinct advantage—time. The episodic format allows for intricate exploration of the politics of Arrakis, the Bene Gesserit’s manipulative schemes, and the ecological stakes of spice mining. Fans of Herbert’s books will revel in the detail, but the slower pace may alienate casual viewers.

Where Villeneuve emphasized grand cinematic scope and Lynch condensed the chaos into surreal storytelling, Prophecy opts for deliberate pacing. While this lends depth to characters like Lady Jessica and a richer portrayal of Fremen culture, it risks testing viewers’ patience with drawn-out scenes that sometimes feel indulgent.

Paul Atreides: A Hero Reimagined

The portrayal of Paul Atreides is a key differentiator. Where Timothée Chalamet’s Paul was a charismatic blend of reluctant heir and budding messiah, Prophecy leans heavily into his internal struggle. This version of Paul feels more vulnerable, burdened by the weight of prophecy, and truer to Herbert’s original vision.

While some may find this introspection refreshing, others might miss the magnetism that made Chalamet’s performance so compelling. The gamble pays off in emotionally charged moments but falters when Paul’s doubt drags pivotal scenes.

Arrakis Reimagined: Harsh and Intimate

The series’ depiction of Arrakis stands out. The desert is presented as an unforgiving and dangerous force, capturing its hostility better than the romanticized sands of Villeneuve’s films. However, the trade-off is a scaled-down aesthetic. Intimate, grounded sets replace sweeping vistas, offering a more functional, lived-in look that appeals to purists but lacks cinematic grandeur.

Supporting Cast: Shining Moments

The supporting characters are a highlight. Stilgar, the Fremen leader, receives a richer narrative arc, aligning more closely with Herbert’s depiction. His leadership and pragmatism shine in ways underexplored in previous adaptations.

Lady Jessica, however, sparks debate. While her expanded role as a Bene Gesserit operative adds intrigue, it sometimes sidelines her maternal depth, leaving fans of Rebecca Ferguson’s nuanced portrayal in Villeneuve’s films longing for more balance.

Themes: True to the Source

Dune: Prophecy excels in honoring Herbert’s core themes: ecological warnings, colonial critiques, and the interplay of religion and power. However, these themes are more subtly woven into Villeneuve’s films, while Prophecy makes them explicit through dialogue and character dynamics. This approach rewards dedicated fans but may feel heavy-handed to others.

Production Design and Sound: Mixed Results

While the series’ detailed production design captures the functional essence of Arrakis, it lacks the iconic visual splendor of Villeneuve’s adaptations. Similarly, the sound design and score, though competent, fail to evoke the emotional resonance of Hans Zimmer’s unforgettable compositions.

Final Thoughts

Dune: Prophecy is a bold attempt to bring Frank Herbert’s vision to the small screen. It’s a treasure trove of detail for fans of the book, with nuanced characters and a commitment to the source material. However, its slower pace and understated design may not appeal to casual viewers or those seeking the grandeur of Villeneuve’s films.

The question remains: Should Dune adaptations always be judged against their predecessors? Perhaps Prophecy deserves credit for telling its story on its own terms. If you have the patience, it’s a rewarding—if imperfect—journey through the sands of Arrakis.

Written by Jonathan Glazier

A seasoned media consultant and multi-camera TV director, Jonathan brings decades of global experience in creating, producing, and directing innovative formats. Drawing on insights from the cutting edge of television and media trends, he offers a unique perspective on the challenges and opportunities shaping the industry today.

#DuneProphecy #HBO #SkyAtlantic #DuneSeries #FrankHerbert #ScienceFiction #Arrakis #BeneGesserit #PaulAtreides #FremenCulture #SpiceMelange #DuneFans #DuneReview #AltMedia #TVReview #SciFiSeries

Harry and Meghan Documentary: Hidden Messages

Harry and Meghan Documentary Hidden Messages
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Harry and Meghan Documentary: Hidden Messages is part one of my look at some of the production techniques used in the Netflix documentary. It’s not a review of the documentary or a commentary on the story. Its is my analysis of how the production team have used certain techniques to tell the story. Some of these techniques have a hidden psychological effect on the audience. They are well known in the advertising business. I use them all the time; even the title of this video is designed to hook you in; the Harry and Meghan Documentary: Hidden Messages, Harry and Meghan -is probably the most talked about and searched-for keyword today, and Hidden Messages is designed to create curiosity in the reader. Giving you the desire to find out what these messages may be and implying that you will come away from watching the video better informed.
#uktvreviews #jgtvdirector #harryandmeghannetflix

So let me know what you think of my observations.

Key moments in this video

0:00 Start
0:06 What is this video about
0:40 Review Time
0:48 The Disclaimer and what it really means
2:45 Power Words set Agendas
4:00 The Towel Shot
5:05 The Master IV

You can find me on social media at.
https://linktr.ee/JonathanGlazier

The Great Hack

the great hack

The Great Hack is a superb watch, compelling even if you forget the implications of the story because the characters are fascinating. In particular, Brittany Kaiser, why does a Bernie Saunders voting, former green peace advocate and brilliant woman end up working for the Trump campaign through Cambridge Analytica? Was she seduced by the anarchy and power of the undoubtedly charismatic Steve Bannon, or was it her family’s dire financial circumstances? This is something the film doesn’t address in any depth. Nor does it look at how all the leading players at Cambridge Analytica have simply started up precisely the same kind of company after dissolving CA. Although we do get the impression they filed for bankruptcy to avoid their legal responsibilities. The money and power screams of an Illuminati conspiracy theory. All that said this is a must-watch show, brilliantly made. Chilling imagery of our data being collected and shots of those “innocent” quizzes we have all clicked on Facebook bring home the reality of data collection. There’s one caveat I’d add, who did anything wrong? Sure the ownership of our own data is something we should all debate. But all recent elections target the swing vote. All parties seek out the “persuadables“, why is it so shocking and called election influencing when it’s been happening since the mid-’50s. Once upon a time, it was Mr Murdoch who was the alleged kingmaker. Yes, the stories used today to target the swing voters are despicable, mostly false but very effective, why are we so surprised? I think the most insidious thought being the platforms we use to post cute cats are the ones being used to split society apart and the fact that Russia and other foreign powers are using the same techniques to subvert our democracy. Vice wrote an excellent review here, saying the great hack mostly missed the point. That point being, we are entering into surveillance capitalism, but that’s been the case for years, the powerful have been keeping the masses in their place using every trick in the book. Supermarkets have been employing psychologists for years placing impulse buys in precisely the right place in the store etc. The infamous “torches of freedom” smoking campaigns designed to get women to equate smoking with their emancipation in the late 1920s were an example of early manipulation by large wealthy corporations using Edward Bernays and the psychoanalyst A.A. Brill. So while it is a must-see “The Great Hack” is really about the modern-day techniques being used today, the fact that it’s got so much easier to farm data thanks to the large internet corporations. I think we all half expect our governments to hold data about us, perhaps our banks and medical institutions, suddenly we discover a bunch of college kids with an app have 100 times the data, and we gave it up ourselves so easily is a shock. If I am honest, I don’t know why we actually give our trust so easily to governments, medical institutions and of all places banks.

The Last Alaskans

The Last Alaskans

The last Alaskans is a remarkable series. We all know the pain of getting quiet reserved people to talk on camera. This is where this series really succeeds for me. Seeing these people, particularly the men open up in such an emotional way is heartwarming. These are the last 8 or 9 families living in the Alaskan wilderness, once the last children of the current permit holders die, no more permits will be issued. Contrary to popular belief is is possible to fail capturing spectacular scenery, this series does not fail, it is beautifully shot. The drone shots are lovely and the IV and cabin interiors take you right into their lives.

For me though it’s the story telling that succeeds so well and that centres on relationships. The relationships within the families and the families relationship to nature. I am no supporter of hunting or trapping, this show does help square some of those issues. For these families it is about survival and actually their relationship with nature actually does help preserve it, probably much more than most non hunters. But don’t judge me take a look at this gem of a show.